Zavier Woodward

Notes From Home is a serif and ornaments font family made using hand-carved linoleum. This collection has a quirky handmade look, but can also be used in retro and vintage designs, such as collages. The fonts have a realistic ink stamp texture that will look great in logos, notes and quotes, social media posts, and branding and packaging.

Notes From Home includes:
- Notes From Home serif font in three variations: regular, dirty and faded
- An ornaments font, with doodles, swashes, smudges and frames
- 6 high resolution paper textures in various sizes (min: 2400 px wide)
- 20 high resolution lino textures in PNG and ABR files (min: 2100 px wide)

Grantlad is a condensed hand drawn brush font which is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates & ligatures
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Huskeseddel is to-do list or memo in English. If you not already guessed it, the font is based upon my own handwriting. Actually not my everyday handwriting, but the kind I use when I make my to-do lists.
But it wouldn’t look right with a simple font with the same letters repeating all the time, and that’s why I added 12 different hastily written versions of each letter. These 12 different versions cycle as you type, making your text look…well, like hastily written letters…you’ll have to take a real close look to find out that you are looking at a font, and not a genuine hastily written to-do list! :)

Inspired by Halloween theme. The authentic fontto give you fun and playful feel but scary vibes too. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

The term starboard derives from the Old English steorbord, meaning the side on which the ship is steered. Before the steering wheel, boats were steered by an oar at the stern of the ship. Since most sailors were right handed, this is where you would find your steering oar!
Starboard is a rough, handmade, brushy kinda font. It was, of course, made with my favourite cheap brush and Chinese ink - resulting in a slightly eroded looking font.
Starboard comes with all the trimmings, including double letter ligatures for the lower case.

A stamped type font. Maybe your typewriter is broken and just types like this. Maybe you’re just a quirky gal. Either way, this is that thing.

A stamped type font. Maybe your typewriter is broken and just types like this. Maybe you’re just a quirky gal. Either way, this is that thing.

Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering.

The original provided almost all of the key character shapes, with the others being designed to keep the unique hand painted feel intact. Most of the letters have alternate versions provided.

This font works equally well at wider letterspacing settings.

Roadkill Alternates provides curved versions of the 2 and the S, a G with higher crossbar, and less worn versions of several other characters. The heavy version packs even more gritty wallop in a non-condensed and blacker weight.

Roadkill Heavy packs even more gritty wallop in a non-condensed and blacker weight.

Use in conjuction with the original Roadkill and Roadkill Alternates.

A set of arrows and other road symbols again taken directly from tarmac to Mac, thus preserving the worn and eroded appearance of the original characters is also part of the Roadkill family.

The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter and more heavily inked versions were used for the three variants.

Using Opentype character-substitution technology, Salvation rotates through three versions of each letter to create a naturally uneven printed effect.

Unlike hot metal type, the potatoes were cut the right way around. This produced reversed prints, which were then flipped back in Photoshop.

Originally produced for Hughes’ Get Lettering activity book, the font was then extended to cover numbers, punctuation and full European language support.

Kiosk is a prominent display typeface pair. It is a sturdy condensed sans serif and an eloquent brush script. In addition there are textured “print” versions of them both.

Kiosk fonts work as a pair or as themselves. Sans is great for sturdy headlines, menu titles, packaging or any such, the bigger the better. Script is great as a logotype, used for quotes, magazines, packaging and branding.
Textured versions are the same fonts with a rugged outline and with a “stamp” texture inside the letters.

Kiosk Script is equipped with several OpenType features. It has Contextual Alternates and Standard Ligatures that are automatically help to keep the connections smooth. They’re both automatically on. In addition it has Swash, Stylistic and Titling Alternates and even more alternates for some characters. The font is PUA encoded and you can access alternate characters from OpenType controls or manually from Character or Glyphs window.

Introducing, Winland. This font is carefully crafted by handwritten brush to get the feels of natural brush. you can use this font for branding, packaging, quotes, headline, etc

Features :
- uppercase & lowercase (alternates)
- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Thank You!

Doorkick is my grungy handmade font with rough lines and a squarish look. Each letter has 5 different versions, which automatically cycles as you type - leaving your text with a super lively and natural/organic look.
I’d say that Doorkick is best for short words or shoutouts, but try it out it massive text too! I dare you! :)

A font from outer space, CA Weird Stories - the perfect font for science fiction novels or to create a spooky atmosphere. A bit too weird and a bit too slanted for this world. Treat yourself with the ability to stack the two styles on top of each other to create great special FX. You may even consider to use the “fill” style on its own, it might look a bit uneven, as it was actually designed to be used in combination with the “shadow/regular” style, but hey – that’s what this font is all about!

Novecento Slab Rough adds a letterpress / analog effect to its Slab Serif parent. Each letter has a different pattern and gives you a truly realistic effect. Even accented variants of any base character are all different.

This font has also a built-in feature that automatically displays a texture variant for the 2nd occurrence of a letter or a number when they appear close one to each other. For instance: AA OO TT ÜÜ. But also: AOA NON TXT etc. And don’t forget alternate glyphs design such as N I J Q Y and all other features present in the Novecento mega family: 32 styles, 76 latin languages supported, 590 glyphs and 16 stylistic opentype features for advanced typography.