Zavier Woodward

A set of slab serif framed capitals is displayed in the 1906 edition of the Keystone Type Foundry specimen book as “John Alden Initials”.

Digitally redrawn as Keyden Drop Caps JNL, regular and reverse versions are available in one font file.  Upper case keys contain the regular version, lower case keys have the reverse version.  Blanks frames for each are on the parenthesis keys.

The font’s name is a hybrid of both ‘Keystone’ and ‘Alden’.

These vintage letters can easily be used as drop caps, monogram initials or for short novelty titles or headlines.  Choose from either regular or oblique for your next print project.

Sinete, besides being and elegant and charming typeface, is also an extraordinary monogram set. You can create any 2 letter combination with its more than 350 handmade interlocking monograms. There is also the possibility of creating stylish 3 letter combinations.
But that is not all, Sinete provides you with 30+ numeral ligatures and a variety of frames to combine with the monograms.

This font also gives you the ability to create many text textures with its 4 case design approach (Uppercase, Small Caps, cantered Small Caps and “Opulent” Case). This gives you plenty of versatility. Make sure you play with the 9 Stylistic Sets provided.

Sinete is all about creating wonderful words. Perfect for wedding invitations and other events as well as for refined logos and branding. This is also a great typeface for titles due to its delicate design and captivating look.

Here’s a set of arrow shaped callouts in two varieties within one font.  The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys.

The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key.  The ‘zero’ key houses the number ‘10’.

For a more dynamic look, the font is also available in an oblique version.

Here’s a set of arrow shaped callouts in two varieties within one font.  The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys.

The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key.  The ‘zero’ key houses the number ‘10’.

For a more dynamic look, the font is also available in an oblique version.

Mortised Caps join the victoria font Renouveau in a classic mortised frame from golden times of american foundryes. A partnership font between Intellecta Design and Monocracy Types (Paulo W)

YinYangMessages contains two sets of letters, those on the upper-case keys that fit on the left side of a yin-yang symbol and those on the lower-case keys that fit on the left side of a yin-yang symbol. One can alternate the two sets manually but the OpenType contextual alternatives feature does this automatically in any program that supports this feature.
The family contains two fonts. In one the filled half is on the left and in the other the filled half is on the right. The slash and backspace keys contain blank halves of the symbol, which are useful for completing words with an odd number of letters. The two styles can be used in layers.
YinYangMessages is a fun and playful family that every once in a while may be the ideal typeface for some unusual situation.

The BrightIdeas family contains two novelty fonts that have letters on light bulbs. The fonts have some characters on standing bulbs and some on hanging bulbs and these two sets are made to alternate with the OpenType contextual alternatives (calt) feature. To use only one set of bulbs, this feature must be turned off and character spacing adjusted.

The family contains a style with clear bulbs and one with filled bulbs. They can be used in layers to add color. Both are monospaced. The characters on the bulbs are derived from the font Myhota-Bold.

Vinetters has letters on the alternating leaves of a vine. It is monospaced and uses the OpenType contextual alternatives (calt) feature to alternate leaves as the vine snakes its way across the page, putting leaves with the base down between leaves with the base up. The family has two styles, one with transparent leaves and the other with solid leaves, and these two styles can be used in layers to add color. The family has a large set of accented characters but omits some symbols that are used primarily in technical text. Spaces between words can be left blank or filled with connecting vine using the brackets, trademark-infinity, doubledagger-summation, radical-approximatelyequal, or fi-fl characters. The characters on the leaves are derived from the typeface IngrianaCasual.

Topics for which using Vinetters may be appropriate include trees, plants, leaves, nature, changing seasons, and outdoor life.

Eggad features letters on eggs. It can be a fun font to use at Easter or for any egg-related message. Some of the eggs, those on the upper-case keys, have their large end on the bottom and some, those on the lower-case keys, have their large end on the top. The font uses the contextual alternatives feature of OpenType to alternate the big-bottom and big-top eggs. If you want only eggs with big tops or with big bottoms, turn off this feature.

Eggad comes in two styles, a regular style in which the eggs are outlined and a bold style in which the eggs are solid. Both are monospaced. The two styles can be layered to color the eggs. Alternatively, background color can be added (dot accent and ring characters) or the outline color can be changed (sterling and yen characters) using layers in the regular style. If you are typing numbers and want the start to be big-bottom number, switch on OpenType style set 1.

A throwback design reminiscent of 1950s signage and print ads, Merrymakers JNL takes a previous release (Bluesman JNL) and places the letters and numbers inside parallelograms with ‘TV screen’ openings.

Merrymakers JNL is available in both regular and oblique versions.

The upper case A-Z characters have the taller side of the shape to the left, while the lower case a-z has the taller side to the right.

To make a ‘fan fold’ or zig-zag message, simply alternate upper and lower cases as in this example:

C-a-R