Zavier Woodward

A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering.  With the addition of angular spurs, some of the characters become semi-serif in nature.

This type style is now available as Travel Plans JNL, in both regular and oblique versions.

A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design. 

This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.

The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design. 

With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them.

The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

The hand-lettered title on the poster for the 1933 musical comedy film “Melody Cruise” was rendered in an Art Deco thick-and-thin style with ‘engraving lines’ placed within the letters.

This is now available as Cruise Director JNL in both regular and oblique versions.