Zavier Woodward

Put on your top hat, tie up your white tie, brush off your tails and surrender your serifs at the door! We’ve popped open a bottle of French Champagne for you, but don’t worry, because our latest stylishly handsome, devilishly clever offering doesn’t just offer thrills and chills, it’s also Spillproof.

So step out and breathe an atmosphere that simply reeks with class and distinction, What a swell font for party invitations, soirees, nightclubs and weddings this is!

Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?

Midnight, Pacific Coast Highway. You’re driving home alone at night and your battery’s dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there’s an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil’s Elbow gas station has put the frighteners on you. Is that Satan’s face glowering at you through the mist, or something far worse? Brought to you by John “JG” Roastinhell, the only way to handle this font is with one foot on the gas pedal and one foot on the brake.

Cream is a big softy! This retro soft serif typeface comprises 12 fonts and can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional alternates and ligatures that are built into Cream. You’ll be creating distinctive typographic compositions that are pleasing to the eye in no time at all! 

There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages.

Key features:

• 6 weights in Roman and Italic
• 75 Alternates
• 37 Ligatures
• Full European character set (Latin only)
• 730 glyphs per font.

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.

Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099. Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.

Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols.

OpenTypeFeatures Ligatures, alternates, old style numerals and fractions.

Enjoy! VVDS

While the Adventures of Max Faraday continue in the pages of Wildstorm Comics’ DIVINE RIGHT, another chapter title font has begun on the web pages of the World’s Greatest Comic Book Fonts. Delicately crafted by Mister Fontastic himself, John JG Roshell claims this font was the product of Divine Inspiration. When told he’d been looking at the work of too many French Poster Artists, JG dismissed such allegations as Mucha do about nothing.

Great Scott, Marty! This font is charged by the Power of Love! DOUBLEBACK was created by Comicraft for the official BACK TO THE FUTURE fan club. We can’t guarantee that it’ll take you back in time, but we can recommend a trip to Amazon.com (or .co.uk!) where you’ll find the BACK TO THE FUTURE movies on DVD for the first time.

Mantonico is a soft and friendly serif type family with low x-height. Its slightly wide proportions and prominent terminals create a peculiar texture suitable for long reading.

The style range encompasses 8 weights with corresponding italics. The italics themselves are designed for a specifically soft, almost fluid feel.

The typeface features rich language support including Cyrillic and a wide range of OpenType options such as small capitals, numerous sets of digits and over 300 swashed characters.

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies… the characters known only as ToBeContinued. Will our heroes survive? Will justice prevail? Will the forces of good defeat the forces of darkness…? To Be Continued…