Zavier Woodward

Loopkin. A new display font from Ben Burford Fonts.

A stylistic take on the classic modern serif fonts that have been a staple in high fashion publications for decades,

A New Take on a Classic!!

The opentype font comes with a full set of characters with also ligatures and alternative characters using the stylistic sets

Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!

In some way I was Mr Mamoulian and someone else was writing and drawing this stuff. He said he was Albanian and thathis name was Alban Skandabaeg.. He kept sending me these pages. I had to sign my name and pass them off as my own. They wouldn’t have published the stuff otherwise. I had no choice. He was holding my aged mother hostage you see. I told him when the pages were due and he somehow got them to me. Sometimes he left them in secret locations. I don’t remember them at all.’—Brian Bolland, BOLLAND STRIPS

Fonts are Inhuman and Human Fonts are IN! Now, the Comicraft Cybernetics Corporation is proud to announce the first in a new line of fonts with GFP… Genuine Font Personalities. Paranoid Android is an outer alloy, inner void, solitary solenoid GFP prototype—you can tell, can’t you? Finally a font that knows its place as a digital servant to the human race. What will Comicraft think of next? No, don’t bother to answer that, Comicraftsmen are fifty thousand times more intelligent than you and even they don’t know the answer. Warning: Nothing left to be enjoyed, every diode rheumatoid*, terminally Paranoid Android is not so much a font, and more a kind of electronic sulking device. Share and Enjoy!

*The moving parts on the left side of this font are in a solid state. It may sit in a corner and rust, or just fall apart where it’s standing.

Introducing… SPEEDING BULLET—featuring SPEED TRAILS for increasing the, ah, speed of your bullets! Quick as The Flash, slicker than Quicksilver, the latest in our popular line of silver age display fonts could probably outrun a locomotive AND jump buildings in a single bound. It’s ASTOUNDING, it’s STARTLING, it’s ELECTRIFYING, PERAMBULATING, DISCOMBOBULATING and RETROFITTING. It really is Faster than a Speeding Bullet. Try it out for yourself. Under adult supervision, natch’.

Put on your top hat, tie up your white tie, brush off your tails and surrender your serifs at the door! We’ve popped open a bottle of French Champagne for you, but don’t worry, because our latest stylishly handsome, devilishly clever offering doesn’t just offer thrills and chills, it’s also Spillproof.

So step out and breathe an atmosphere that simply reeks with class and distinction, What a swell font for party invitations, soirees, nightclubs and weddings this is!

Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?

Midnight, Pacific Coast Highway. You’re driving home alone at night and your battery’s dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there’s an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil’s Elbow gas station has put the frighteners on you. Is that Satan’s face glowering at you through the mist, or something far worse? Brought to you by John “JG” Roastinhell, the only way to handle this font is with one foot on the gas pedal and one foot on the brake.

Cream is a big softy! This retro soft serif typeface comprises 12 fonts and can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional alternates and ligatures that are built into Cream. You’ll be creating distinctive typographic compositions that are pleasing to the eye in no time at all! 

There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages.

Key features:

• 6 weights in Roman and Italic
• 75 Alternates
• 37 Ligatures
• Full European character set (Latin only)
• 730 glyphs per font.