Zavier Woodward

Slacker is a carefree brush script with soft features, low contrast and well balanced character forms. Slacker is excellent for creating easygoing yet catchy headlines, logotypes or even longer texts.

Slacker is equipped with Standard Ligatures and Contextual Alternates - they help to keep the flow lively and balanced and connections smooth so you should normally keep the features on. In addition Slacker has Stylistic, Swash and Titling Alternates for more showy letterforms. If you want to keep letters connecting to one another at maximum try turning on Stylistic Set 01 (SS01). On top of these Slacker has even more alternates in the Character Window making the total glyph count to 660.

Slacker Extras is a set of 50+ brush strokes with the same style as the brush and a set of catchwords.

Angilla Script is a tattoo inspired calligraphy typeface.
It was drawn and created by Måns Grebäck during 2019 and 2020.

While having a feminine flow, it has confidence, attitude and dare.

Use it for a concert poster, a logotype or to give any project a bit of extra personality.

It has an extensive lingual support, covering European and Asian Latin scripts.
The font contains all characters you’ll ever need, including all punctuation and numbers.

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members.

Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically.

Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper

Eggad features letters on eggs. It can be a fun font to use at Easter or for any egg-related message. Some of the eggs, those on the upper-case keys, have their large end on the bottom and some, those on the lower-case keys, have their large end on the top. The font uses the contextual alternatives feature of OpenType to alternate the big-bottom and big-top eggs. If you want only eggs with big tops or with big bottoms, turn off this feature.

Eggad comes in two styles, a regular style in which the eggs are outlined and a bold style in which the eggs are solid. Both are monospaced. The two styles can be layered to color the eggs. Alternatively, background color can be added (dot accent and ring characters) or the outline color can be changed (sterling and yen characters) using layers in the regular style. If you are typing numbers and want the start to be big-bottom number, switch on OpenType style set 1.

Majorant is a geometric sans serif interpreted from a contemporary point of view. Its wide range of weights makes it a multipurpose family. The extreme weights work as a display typeface, from the mathematical rigour of the UltraThin to the expressive refinement of the Black. Thanks to the several alternates included, the font offers multiple personalities. From sharp and audacious in the default version, to the soft and classic in the stylistic sets.

TradaSerif is a new addition to the Trada family.  Crisp and clear in appearance, it preserves the same formal spirit and the principal structural elements of TradaSans. TradaSerif offers a wide range of styles, from tenderly thin to thundering black. It also affords excellent text qualities and works brilliantly as a distinctive headline face.

TradaSerif consists of 20 well-tuned weights and is well-equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures,
proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.

Right after Allrounder Grotesk and Allrounder Monument, it’s time for the third member of the Allrounder Collection by Moritz Kleinsorge. Please welcome Allrounder Antiqua.

Allrounder Antiqua is a classic and timeless typeface, perfectly suitable for editorial and brand design. The lowercase a with its small and sharp counter provides a distinctive recognition feature, that will always stand out nicely.

While its main purpose is to set very legible body copy with an even color, its refined shapes also shine in display sizes and let you create elegant packaging, even for food, fashion or consumer goods, and lifestyle branding. It is also suitable as a strong corporate typeface, be it for a more conservative venture or the latest hipster start-up.

This classy serif typeface comes in four weights with corresponding true italics. And for sure, just like the workhorse Allrounder Grotesk, Allrounder Antiqua is also equipped with plenty of Opentype Features like small caps, six sets of figures, case-sensitive forms, superiors, fractions and many ligatures. You will find alternate letters with swashes within this extended character set, as well as all the accented glyphs necessary to support more than 200 Latin-based languages.

Allrounder Antiqua: Historical Background
The (french) renaissance inspired typeface started as Moritz Kleinsorge’s graduation project within the „Expert class Type design” course of the Plantin Institute for Typography, located in the famous Museum Plantin-Moretus in Antwerp, Belgium. There, Moritz Kleinsorge decided to create a revival of Robert Granjons Ascendonica Romain, which is described as „a beautiful face; typical of Granjon’s mature style” within the inventory book of available punches and matrices. To touch punches and matrices cut by Robert Granjon back in 1567 was an unbelievable feeling, he explained. Over time, the typeface moved away from being a true revival, becoming rather a Granjon inspired typeface.

Allrounder Grotesk: Perfect Pairing
Allrounder Grotesk is the ideal complement to Allrounder Antiqua. They both share the same vertical matrices and color, so you can pair both typefaces within a text without creating a visual disruption. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface. You can also find Allrounder Antiqua and the matching four weights and italics of Allrounder Grotesk as a collection. Just search for „Allrounder Grotesk and Allrounder Antiqua” within the search bar and you will find all matching weights of both typefaces for a special price. With this collection all your design dreams come true for matching type with ease.

Design Trick: Bilingual Design with the Allrounder Superfamily
The combination of Allrounder Grotesk and Allrounder Antiqua is ideal for bilingual designs, wherein both languages get the same emphasis by two different typefaces. And of course, setting headlines with different but matching typefaces is a strong visual practice.

Polites is a millennial generation serif font, made with a very soft touch. Polites is a font family, it comes in 12 upright weights.

Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more.

Polites works great in any branding, logos, magazines, films. The different weights give you a full range of whole hosts of applications, while the outlined fonts give a real modern feel to any project.

OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Surf’s up! Take an unforgettable adventure to the sparkling shores of Paradise Point.

Ride our 25 majestic weights, from tranquil tall & thin to thunderous wide & heavy. Expand your horizons with the versatile Variable font to select any spot between.

One-of-a-kind activities: Drop in a thrilling Inline weight for stylistic flair. Overlay with the matching Heavy for striking color effects.

Discover hidden wonders! Stylistic Alternates will take you to the scenic heights of uppercase in a friendly lowercase style. Or immerse your text in interlocking Discretionary Ligatures for an authentic Tiki Type island experience.

Enchanting views: Two versions of each letter and number automatically rotate for a natural, hand-drawn appearance. The Light weights have round ends to simulate a single pen stroke, which matches the center of the Inline weights for a perfect pairing.

Explore! If you venture into unknown territory, each weight of Paradise Point contains 775 glyphs for stress-free support of over 200 languages.

An all-inclusive getaway: Each weight of Paradise Point includes the features above, and can set readable body text as well as create striking logos and headlines. Use it for restaurant menus, surf and skate brands, or any design project where you want to convey lively, friendly, stress-free fun.

The initial inspiration for the design of Technical Standard VP came from examining the various types of precisely machined labels on tools from cameras to cars, which need to be perfectly legible at all sizes. The unique streamlined look such processes achieve was carefully reinterpreted and manually refined over the course of two years. The resulting font is at the same time robust and stylish, both universal and unique, with its ten distinct styles offering great versatility.

All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages.

To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, an optional slashed zero, separate old-style and lining figures, small capitals, and contextual alternates.

The typeface TWIGS 4 kids was originally designed for a garden exhibition for children by Daniela Costa, Julia Stanossek, Alexander Branczyk and Manuel Viergutz.

4 font-styles (Einerseits, Andererseits, Invert, Icons) with 495 glyphs (Adobe Latin 1) incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (20+ stylistic sets).

For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

■ Font Name: TWIGS 4 kids
■ Font Weights: Einerseits, Andererseits, Invert, Icons + DEMO (with reduced glyph-set)
■ Font Cate­gory: Dis­play for head­line size
■ Font For­mat: .otf (Mac + Win, for Print) + .woff (for Web)
■ Glyph Set: 495 glyphs (Adobe Latin 1)
■ Spe­cials: Decorative extras like arrows → emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as Open­Type Fea­ture. dlig) and stylistic alternates (20 stylistic sets)
■ Design Date: 2005–2020
■ Type Desi­gner: Alexander Branczyk, Daniela Costa, Julia Stanossek, Manuel Viergutz

Varese is a geometric and modular typeface inspired by early 1900s European posters. It is heavy and excellent for display or large body text. The design of this font explores the boundaries between unity and variety in a playful rhythmic dance. Varese will give your content a warm, nostalgic, robust, and friendly tone.

The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form. The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not.

Varese Soft has a sibling, Varese

Aventa is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges.

It has distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework.

Its bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility.

It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa’s matching italics sloped at a lively 8º help give it a full range of expressions.

Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Each font contains just under 400 glyphs with full Western, Central and Eastern European language support.