Zavier Woodward

Tabula is based on a subtitle font project developped but never released.
It is a font family suitable for small editorial texts and for large signage titles.

It is a sensitive sans-one that is not restricted to geometric shapes but has a subtle calligraphic, foundation which make it highly readable.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs.

When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern.

After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it’s frequently used on Tequila bottle labels.

I originally planned three weights for the Taco font family, however, after completing the bold weight I’ve decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can’t estimate a release date for the two other weights.

To use the fill font layers you’ll need an application that allows you to work in layers such as Adobe Creative Suite products.

Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco.

All the same alternates that you’ll find in our Tavern font are also in the Taco family.

While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing.
Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment.
We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color.

The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house. After dinner I searched to see if there was a commercial font named Taco, there was no such font named Taco and the rest is history.

The old Stephenson Blake Algerian font has come a long way since 1908, and we’re not done with it yet.

Transfer is an elegant monoline font. It gives any text a tech flavor.
Made in 7 weights, called gauges, it helps you cover a wide range of uses.

Transfer was initially a custom font use for titles for the magazine of a famous french books and hi-fi retailer.

Bogart has been designed in 2020 by Francesco Canovaro as a personal homage to the iconic look of low-contrast old-style fat faces, like Cooper Black (Oswald Bruce Cooper, 1922) and Goudy Heavy Face (Frederic W. Goudy and Sol Hess, 1925-1932). Originating from the modern old style of Bookman, these muddy, goopy shapes found their pop culture iconic status thanks to rub-on transfers and phototypesetting systems in the 1960s and 1970s. Positively bursting with hippie energy and exuberant vitality, they often included an extensive repertoire of swash characters, bridging the space between lettering and typography.

In researching these shapes, Canovaro decided to include also the influence of another idiosyncratic american old style typeface, Windsor, quoting its sloping shapes and quirky solutions, and expanding the weight range of Bogart to include a selection of display light weights where the muddy shapes of the heavy weights distill into elegant teardrop terminals. All the nine weights of Bogart, as well the matching true italics forms, feature an extended charset of over 1600 glyphs, covering 219 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features including alternate forms, discretionary ligatures, small capitals, stylistic sets, positional numbers, case-sensitive, terminal and initial swash forms. To add flexibility for editorial usage, a text-oriented Bogart Alternate set of nine weights was added to the family keeping the design more similar to its modern old style model and allowing for a heavy readable mid-weight range.

Hollywood icon Humphrey Bogart, famously said: “things are never so bad they can’t be made worse.”. This typeface was named after him, aiming at a way to embody the moody spirit of vintage typography, from film noir aesthetics, to the pop culture reference, from joyous swash titling and logo design to strict, balanced text typesetting. Because “typefaces are never so good that they can’t be made better”.

Inspired by an 80’s Swiss book cover about mushrooms, WT Null is a modern display typeface with slightly inverted contrasts.

Its mildly extended proportions coupled with the inverted contrast give it a subtle display potency, and a surprising capability to transition between being a quirky display face and a functional grotesque.

Firelli is an original family of 14 styles including 7 weights and Italics, designed by the talented Teddy Derkert. Delighting from Thin to Black, Italics, and Swash Caps. Big headlines will love Firelli’s incorruptible details. Longer texts will benefit from a wide-ranging family with its solid posture. Go, use everything Firelli has to offer, to design your contentful magazines, powerful annual reports, or even bedtime stories and fairy tales.

Thrillers is a typeface that evoques the visual landscape of Crime Novel Titles. This high contrast super condensed semi-serif design comprises 6 weights that provide you with a ton of options for your Headlines, Titles and Branding. Because of its minimal white space it is very punchy and its unusual texture captures our attention.
End the suspense and go test it out!

Bingo Wood Display in totality and elegance. One of my newest first releases, hand drawn with pinpoint accuracy. Bingo Wood has the perfect amount of simplicity and subtlety for your next project. It perfectly represents retro and vintage aesthetics. I recommend this font for logos, invitations, and your next home decor project that requires a touch of compact alternative combinations!

Include Format:
- Bingo Wood Display. otf
- Bingo Wood Display. ttf

Bingo Wood appears with a total of 593 Glyph characters available: Basic Latin, Extended Latin A, Punctuation, Open & Close Punctuation, Dashes & Quotes, Super Script & Sub Script, Currency, Numbers, Math Symbol, Designer Favorites Case Sensitive Forms, Discretionary Ligature, Denominators, Standard Ligature, Numerators Stylistic Alternates Set, 1, 2, 3, Sup Script, Super Script, Swash

Get inspired by the images above and feel free to share with me what you get using this font.

Redoneta™ is a contemporary geometric sans serif family of 6 weights with its matching italics. From a refined Thin to a solid Regular and a forceful Bold gives us multiple voices and uses according its multipurpose vocation. Also, its smooth and clean shapes gain more personality with his alternates: from rounded to square and angular forms across 7 combinable stylistics sets. Dozens of Latin languages supported and other OpenType features as fractions, superscript, subscript, tabular figures, arrows and more give useful tools to the user for editorial design, web or others intensive uses.

Zuume Rough is a textured, bold, condensed sans serif display font family. A sister to Zuume, this version features a rough printed texture for a more natural and raw look. Coming in regular and bold weights with italics, the fonts can be tightly spaced and stacked for a visual punch or spacing loosened for a little more breath.

A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.

Also part of each font file are matching pre-designed catchwords that add interest to your typography. Stylistic alternates and arrow glyphs increase the options available as well.

Zuume Rough has many features:

• Catchword glyphs (PUA-encoded)
• Stylistic alternates
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero

With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

Introducing, The Amberton - A classic script typeface. This font has unique swashes, inspired by classic floral ornaments. Another thing that make this font even more unique is this font has total 290 alternates which you can play around and creates beautiful lettering in a sec.

Perfect to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded
- 290 alternates

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

“Istanbul Type” has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility.

“Istanbul City” has the modernity of the west and the orientalist texture of the east as the city that unites the Asian and European continents. “Istanbul Type” also includes these features. It is a unique character that reflects the spirit of “Istanbul City”. Many letter alternatives prepared with care have been created for all letters. You can make dozens of combinations from a word using these alternative letters.

“Istanbul Type” is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, restaurants, menu cards, wedding invitations and so on.

“Istanbul Type” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Istanbul Type 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. “Istanbul Type” 5 weights and italics total 10 types. The family contains a set of 2.200+ characters.

Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

You might have a crush on this typeface :)

Do not hesitate to consult me for information about fonts before, during and after purchasing. You can contact me at “buyuksel@hotmail.com”.

Enjoy using it.