Zavier Woodward

Display Board JNL is based on Futura Display, which was designed in 1932 by Paul Renner as an extension of his original (1927) Futura family of typefaces. 

According to Wikipedia, the font was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer’s seminal Erbar typeface of 1926

Display Board JNL is available in both regular and oblique versions.

Salacious is my soft/rough all-caps font, inspired by both comics and grafitti. The weight and width of the letters varies a bit. Not in a disturbing way, but more in a lively and organic way. I’ve added 5 (slightly) different versions of each letter (which automatically cycles as you type!) The letter shapes are a bit rough, due to the fact that they are handmade, and all corners are rounded, which gives a nice soft look!

County Clerk JNL was modeled after the vintage Hamilton wood type design Gothic Special, and is available in both regular and oblique versions.

An early grotesk font, this condensed sans serif lends itself well to short headlines and brief body copy.

Finoteca (on English would be Niceteca) is display font for nice people. Why so? Well, by it’s design, it’s one happy, bouncy font with a lot of charm and positive feeling. Use it on product label, in books for kids, movie posters or as indoor graphic for your restaurant – if will fit anywhere. Available as single weight only – Regular, contains set of stylistic dingbats with interesting faces and persons made out from letter shapes.

Dirty family!

Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.

Dashiell Bright has more sparkle than Dashiell Text, with subtly finer hairlines and serifs, and is particularly suited to printed books and magazines, where its crisply drawn forms hold the page nicely without being overbearing. While a touch more literary than Dashiell Text, it shares the same six weights, ample counters and x-height, and unbracketed wedge serifs. Like its sister, Dashiell Bright supports over 140 languages and includes proportional and tabular lining and oldstyle figures, small caps, case-sensitive punctuation and delimiters, and a selection of borders and ornaments. Of course, it pairs well with its sister faces, Dashiell Text and Dashiell Fine.

The dramatic contrast and wiry hairlines of Dashiell Fine are best at large sizes, where its bladelike serifs and Caslon-derived forms give it a hard-edged, Didonesque elegance. Its seven weights include an additional Light style for especially delicate work; its Black weight provides a touch of swagger. Dashiell Fine supports over 140 languages and includes lining and oldstyle figures, small caps, case-sensitive punctuation and delimiters, and a selection of borders and ornaments. It’s a natural choice for headlines to complement Dashiell Text or Bright, but equally striking on its own.

Dashiell was made to be read. Designed by a devoted reader with lousy eyesight, it’s an attempt to combine the warmth and frankness of Caslon with the lucid elegance of Garamond. Counters and x-height are ample but not large. Apertures are moderately open, and unbracketed wedge serifs add crispness. The collection includes three families: Dashiell Text, Dashiell Bright, and Dashiell Fine, for a total of 31 styles. Dashiell Text is the anchor: an all-around workhorse with quiet detailing and modest contrast, carefully balanced to work both onscreen and on paper. It’s available in in six weights with matching italics. Regular weights are clear and open, but sturdy enough to perform at small sizes. The Black weights are unusually dark for a classic serif, with a hint of Cooper Black. Named for Dashiell Hammett, whose succinct grace helped modernize twentieth-century American fiction, Dashiell Text supports over 140 languages and includes proportional and tabular lining and oldstyle figures, small caps, case-sensitive punctuation and delimiters, and a selection of borders and ornaments. Of course, it pairs well with its sister faces, Dashiell Bright and Dashiell Fine.

Introducing, Ranshell - A dry brush calligraphy script. This font was made based on real hand brushed lettering. The rough texture make this font looks cool and tough. This type of font perfectly made to be applied especially in apparel, clothing, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Restora Neue is an evolution of its precursor, Restora. While the Restora has an authentic imperfect letterforms, Restora Neue comes with a neater shape and higher contrast.
It’s a mix of old-style roman serif styles. Its sharp and longer serif with a bit touch of medieval, makes Restora Neue a versatile type family that can be used in many different themes of design projects, from classic style to modern.
It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph.
The set of special ligatures and stylistic alternates can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more.

Introducing Bungalow Typeface - 9 fonts

Bungalow is classic, vintage typeface with 3 serif, 3 display and 3 headline fonts to enchant your next project. They are loaded alternate glyphs, ligatures and multilingual support. Very versatile fonts that works great in large and small sizes.

Bungalow is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.

Uppercase, lowercase, numeral, punctuation & Symbol
Serif - Light, Regular, Bold
Display - Light, Regular, Bold
Headline - Light, Regular, Bold
Alternate glyphs
Ligatures
Multilingual support
20 Floral vector illustrations
How to access alternate glyphs?

To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs

In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate’s thumbnail to swap them out.

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included!

Thank you! Enjoy!

Introducing, Malliandra Script - A beautiful modern calligraphy script based on manual hand writing. The natural flow with the swashes make this font looks even more prettier. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!