Zavier Woodward

AmpleNu is a display type family derived from the Ample typeface.

It has optical mono-linear stroke and a bit squarish form in nature. It has a seamless stroke movement instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design.

It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasize the message. It is graphically strong and commands the viewer’s attention. The overall appearance of type is suitable for setting and using it as heading, title, headline, logotype, etc.
The type family consists of sixteen styles which include eight upright weights and their italics.

AmpleNu has a bit more squarish counters and angles than Ample typeface, it even has straight terminals while Ample has a slight curve. In addition to this, few characters have some major or minor changes and the letter ‘g’ plus ‘y’ and their respective diacritics have alternate style variations.

AmpleNu is designed by Aakash Soneri during the period between 2018-2020.

Inspired by the MacFarland series in the 1912 ATF catalog, Apparel is a typeface that shares similar functional characteristics with Times New Roman and Caslon fonts yet it has its own personality: A great choice for high-impact design.

Apparel is a contemporary, classy and fresh serif typeface with a laid-back attitude that best suits your design needs. Its medium-large x-height makes it ideal for headlines and brand identity design. Apparel also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant. Moderately slanted italics are also available as OpenType Stylistic Alternates.

Each font style supports more than 200 Latin-based languages, as you would expect from Latinotype fonts. Apparel also includes a basic Cyrillic set, old style & lining figures, fractions and alternates, among other OpenType features.

Fargo is a decorative logotype font.
Drawn and created by Mans Greback in 2020, this vintage sport lettering works has velocity, style and class.

Use [ ]

after any word to create a swash.
Example: Snow]
For a longer swash, use several characters: Decorative>>>>

The typeface is provided in four styles: Regular, Italic, Bold and Bold Italic.

Each style contains an alternate alphabet and ligatures, giving the calligraphy true customized possibilities.

The font has extensive lingual support, covering all European Latin scripts.
It contains all characters you’ll ever need, including all punctuation and numbers.

Hoyle is a dynamic high-quality serif typeface.

Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional.

Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles.
The weights are harmonic and created to balance perfectly against each other. 

Try the included Variable Font!
A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts

This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers.

It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts.
The font contains all characters you’ll ever need, including all punctuation and numbers.

A display typeface with a lot of personality and different alternatives contains inline, layers as shadows

You’ve probably looked at several cut out fonts before, and yes…Udklip is also a cut out font - but wait! It’s more than that!!!
This font features 4 different versions of each lowercase letter! And they automatically cycle as you type - leaving your text more random and natural. Which is a very good thing when working with handmade fonts, especially fonts that imitate cut out letters!
The letters are bouncy and the letters vary a lot, but not too much! Though begin bouncy and irregular, Udklip gives a super legible feeling - perfect for something that needs a handcrafted look!

Barnet Sans is a humanist typeface with a grotesque-inspired personality. Lively stroke-endings of several characters give this design its distinctive style, as well as a friendly and approachable presence. Created for use in both print and screen settings, Barnet Sans delivers a hint of flavour in large sizes, while being subdued enough to work in smaller text-driven settings.

Details include; seven weights ranging from thin to black with matching italics, 665 characters per font, and support for all Western and Central European languages. Barnet Sans also comes equipped with many opentype features including; small caps, case-sensitive forms, arbitrary fractions, numerators and denominators, slashed zero, stylistic alternates and ligatures.

Kidwriting is a hand-drawn font, originally released in 2007. Now, we are proud to present a totally redrawn and improved font: Kidwriting Pro, which include not just a softer appearance but also an extended set of characters and new typographic features that makes it a professional tool.

The childlike appearance of Kidwriting Pro allows to apply it to any child related project like teaching material or games. It effectively recreate the charming and somehow bumbling qualities of a child’s handwriting, but is balanced enough for comfortable reading.

Kidwriting Pro has many Open Type features such as Old Style figures, discretionary ligatures, ordinals and fractions. Composed of more than 500 glyphs, Kidwriting Pro supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages.

Kidwriting Pro is complemented with a set of 62 selected dingbats which evoque the children world. And the best: it comes also in the same five weights to match completely with each one of the fonts.

Classic art deco ornaments digitized from the font catalogues of “Società Augusta Torino”, also Nebiolo Fundicion, one of the most important european extinct typefoundry from last century. Soon, more fonts of that collection. A partnership font between Intellecta Design and Monocracy Types (Paulo W).

The Voyager is a sans serif display font with a retro look. With over 100 ligatures, small caps, and swashes, The Voyager is perfect for logotype design, magazine layouts, in titles and short texts.

It includes:
- Three weights: Light, Regular and Bold & Italics
- 100+ ligatures for both the lowercase characters and the caps
- Small caps
- Swashes
- A set of frames

Masif has compact, simple, functional and neutral body structure.
It has 5 widths from Normal to Ultra Condensed.
Each width includes 9 weights from Hairline to Black and their matching italics.
Also, every weight includes rich OpenType Features like Small Caps and custom number styles.
Due to its large family, it is ideal for a wide range of usage from large-scale designs to small product labels.

Did you ever get lyrics from a song wrong? And maybe found out years and years later, that is was wrong…but the wrong lyrics get stuck, even though you know that they are wrong! :)
Misheard Lyrics is a font that most likely gets stuck in your design, because it has that bouncy and random look that makes your text come alive - without overdoing it!

Like mixing spices, Sandega font is an experiment that blends serif, sans-serif and stencil style into one flavor. The goal is to make a font that is unique and distinct but still legible.

Opentype features such as stylistic sets are included in order to be a way of making different letters, especially for capital letters so that you can be more creative. You are also worry-free because with more than 400 glyphs, Sandega supports multiple languages.

Sandega makes a great choice for titles or logotypes and moderately long text like you would use for websites, quotes, invitation, greeting cards, flyers, and packaging.