Zavier Woodward

Introducing Creative Vintage - a modern serif with vintage charm, fashion look and retro yet modern style.

Two fonts that fits perfectly each other:

Work faster using integrated features. Just add PLUS (+) after any letter and get alternate instantly. This feature works on most applications (Canva, Templett, Corjl and others)

Creative Vintage Regular: Opentype Serif font with clean shapes and accurate kerning. It includes ligatures and alternates with total amount 669 PUA encoded glyphs.

Creative Vintage Draft: Modern Serif with chunky imperfect edges and shabby appearance. This font is a strict copy of everything from regular version including glyphs names, kerning and ligatures, so you are worry-free to change style on the go. Alternates appears automatically when you type plus after any letter or even ligature.

Introducing Fika Display Typeface - 4 fonts

Fika is bold, fun typeface that contains 4 fonts to enchant your next project. They are loaded alternate glyphs, ligatures and multilingual support. Very versatile fonts that works great in large and small sizes.

Fika is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.

Uppercase, lowercase, numeral, punctuation & Symbol
Regular
Outline
Lines
Rough
Alternate glyphs
Ligatures
Multilingual support
How to access alternate glyphs?

To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs

In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate’s thumbnail to swap them out.

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included!

Thank you! Enjoy!

Biotic is a dual-personality 18 style typeface which features two distinct design approaches that can be initiated with the flick of a switch.

The natural design approach uses conventional forms for a geometric sans but when you switch to the engineered approach some key glyphs become squared to create an edgy approach in an instant. The characters that change are f, i, j, k, l, t and y, along with all punctuation and accents which switch to the square approach.

Biotic covers extended latin and basic Cyrillic and includes many opentype features such as stylistic sets & alternates, two sets of arrows, circled & old-style numbers, along with case sensitive punctuation and much more.

Introducing, Grandice- A blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Leaves and Twigs is a handwritten font trio and floral illustrations collection with lots of bonus goodies, that is perfect for logotype design, branding and packaging, and social media posts.

Just in time for the holidays, Leaves and Twigs is a also perfect for homemade seasonal designs (such as postcards, prints, and present tags).

Included in this collection:

- a tall, all-caps sans serif font - with a slant alternative
- a small, spaced sans serif font - with a jumpy alternative
- a spaced script font - with a slant alternative
- a floral illustrations dingbat font - with a blackout alternative

All written with the same pen, at the same size, so that the line width is consistent throughout the collection, for easy pairing (floral illustrations are sized down by 4x).

Plus bonus:

- over 160 Photoshop stamp brushes (in .ABR and .PNG files)
- 5 high resolution paper scans (perfect background for your designs!)
- 24 hand-painted color blobs (.PNG on transparent background)

AmpleNu is a display type family derived from the Ample typeface.

It has optical mono-linear stroke and a bit squarish form in nature. It has a seamless stroke movement instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design.

It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasize the message. It is graphically strong and commands the viewer’s attention. The overall appearance of type is suitable for setting and using it as heading, title, headline, logotype, etc.
The type family consists of sixteen styles which include eight upright weights and their italics.

AmpleNu has a bit more squarish counters and angles than Ample typeface, it even has straight terminals while Ample has a slight curve. In addition to this, few characters have some major or minor changes and the letter ‘g’ plus ‘y’ and their respective diacritics have alternate style variations.

AmpleNu is designed by Aakash Soneri during the period between 2018-2020.

Inspired by the MacFarland series in the 1912 ATF catalog, Apparel is a typeface that shares similar functional characteristics with Times New Roman and Caslon fonts yet it has its own personality: A great choice for high-impact design.

Apparel is a contemporary, classy and fresh serif typeface with a laid-back attitude that best suits your design needs. Its medium-large x-height makes it ideal for headlines and brand identity design. Apparel also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant. Moderately slanted italics are also available as OpenType Stylistic Alternates.

Each font style supports more than 200 Latin-based languages, as you would expect from Latinotype fonts. Apparel also includes a basic Cyrillic set, old style & lining figures, fractions and alternates, among other OpenType features.

Fargo is a decorative logotype font.
Drawn and created by Mans Greback in 2020, this vintage sport lettering works has velocity, style and class.

Use [ ]

after any word to create a swash.
Example: Snow]
For a longer swash, use several characters: Decorative>>>>

The typeface is provided in four styles: Regular, Italic, Bold and Bold Italic.

Each style contains an alternate alphabet and ligatures, giving the calligraphy true customized possibilities.

The font has extensive lingual support, covering all European Latin scripts.
It contains all characters you’ll ever need, including all punctuation and numbers.

Hoyle is a dynamic high-quality serif typeface.

Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional.

Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles.
The weights are harmonic and created to balance perfectly against each other. 

Try the included Variable Font!
A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts

This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers.

It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts.
The font contains all characters you’ll ever need, including all punctuation and numbers.

A display typeface with a lot of personality and different alternatives contains inline, layers as shadows

You’ve probably looked at several cut out fonts before, and yes…Udklip is also a cut out font - but wait! It’s more than that!!!
This font features 4 different versions of each lowercase letter! And they automatically cycle as you type - leaving your text more random and natural. Which is a very good thing when working with handmade fonts, especially fonts that imitate cut out letters!
The letters are bouncy and the letters vary a lot, but not too much! Though begin bouncy and irregular, Udklip gives a super legible feeling - perfect for something that needs a handcrafted look!

Barnet Sans is a humanist typeface with a grotesque-inspired personality. Lively stroke-endings of several characters give this design its distinctive style, as well as a friendly and approachable presence. Created for use in both print and screen settings, Barnet Sans delivers a hint of flavour in large sizes, while being subdued enough to work in smaller text-driven settings.

Details include; seven weights ranging from thin to black with matching italics, 665 characters per font, and support for all Western and Central European languages. Barnet Sans also comes equipped with many opentype features including; small caps, case-sensitive forms, arbitrary fractions, numerators and denominators, slashed zero, stylistic alternates and ligatures.

Kidwriting is a hand-drawn font, originally released in 2007. Now, we are proud to present a totally redrawn and improved font: Kidwriting Pro, which include not just a softer appearance but also an extended set of characters and new typographic features that makes it a professional tool.

The childlike appearance of Kidwriting Pro allows to apply it to any child related project like teaching material or games. It effectively recreate the charming and somehow bumbling qualities of a child’s handwriting, but is balanced enough for comfortable reading.

Kidwriting Pro has many Open Type features such as Old Style figures, discretionary ligatures, ordinals and fractions. Composed of more than 500 glyphs, Kidwriting Pro supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages.

Kidwriting Pro is complemented with a set of 62 selected dingbats which evoque the children world. And the best: it comes also in the same five weights to match completely with each one of the fonts.