Zavier Woodward

A precursor to Art Deco headline/display sans serif typefaces with thick and thin strokes is the Matthews Series (circa 1902).  It was manufactured and sold through the Inland Type Foundry of St. Louis, MO.

Digitally redrawn as Merchant Trade JNL, it’s now available in both regular and oblique versions.

Introducing, Hugiller - A high contrast stylish Serif. What makes this font even more unique is the ligatures which gives the modern yet nostalgic feels at the same time, sophisticated and timeless.. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions.

File Clerk JNL was based on Cushing, a typeface found within the pages of the 1901-02 Pettingill & Co. (Boston) specimen book, and is available in both regular and oblique versions.

Introducing, Mildistance Script - an old and classic style script font. The look of the font will give you nostalgic feel, very suitable for old school theme design and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Omnipop is a potent display pack with three styles. All the fonts have firm yet clean and velvety character.

Omnipop Brush is a forward leaning brush script with a somewhat heavy complexion. It has a large x-height and it makes nice smooth and even texts. Omnipop Brush is equipped with Standard Ligatures and Contextual Alternates that are automatically on as they should be kept. In addition it has Swash, Stylistic and Titling Alternates for extra show-off.

Omnipop Script is a monoline connected script simulating a smooth felt-tip pen. Script is equipped with Standard Ligatures and Contextual Alternates to keep the connections smooth. In addition Omnipop Script has Swash, Stylistic and Titling Alternates and even more extra characters can be found in the glyphs window.

Omnipop Sans is a sturdy rounded all caps sans with a sort of geometric vibe to it. Anything you type with Omnipop Sans will look cheery and approachable.

Omnipop fonts rock on their own but they also play great together in any order.

Epica is a contemporary interpretation of the Venetian Renaissance types. A humanist type family with a contemporary design. This family encompasses different typographic scenarios with emphasis in style and functional equilibrium. Its letterforms show the visual richness of Epica that includes some calligraphic reminiscences perfectly legible in small and display sizes. Its strong personality makes it distinguish, because it perfectly combines the elegance of antique typographies and the forcefulness of contemporary ones.

This family has been designed in two different moments. Epica Serif, which have a more classical design, was finished 5 years ago in its first version. The first sketches were drew 8 years ago during the Master of Type Design at the University of Buenos Aires. Through the years was re design in several times to the point of reaching its current version. On the other hand, Epica Sans was completed in 2020 and is the counterpart of Epica Serif. A complementary system designed to enrich the serif version and give new options for hierarchy and composition. This is a versatile type family perfectly fit for books, editorial, and usage in print and on screens. It possesses great legibility in body texts, which makes it ideal for extended reading and supports a variety of languages.

Polate Soft is an altered modified from the form of the original “Polate” typeface. Designed to be more friendly, the font family has rounded terminals that harmonizes with rounded corners. With all of these features, “Polate Soft” is a prominent, eye-catching and unique typeface. It comes with 6 weights with 5 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

• 1x OpenType font.
• 1x WOFF font.
• This font contains 176 glyphs.
• Optimised for use as a pixel font at 34px and multiples of 34px.

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SB Incline is an ultracompressed pixelfont with alternatives for adjusting the midpoint.

I started this font on a Monday and I finished it the Monday after, so I guess the name is right!
Another Monday started off as a bit of doodling (with a Sharpie pen) on a piece of paper. Before I knew it, I had a complete glyph set and it looked nice.

Another Monday is a bit messy, uneven and maybe even a little weird, but it will look good on postcards, packaging and labels.

A set-aside work file featuring a bold sans serif typeface that may or may not have had a vintage source history was given a new treatment.

Initially, the solid design was converted to a stencil format and an experiment was undertaken to see what the alphabet would look like with a dual line treatment. 

Surprisingly, it turned out quite well and the end result is Dual Line Stencil JNL; available in both regular and oblique versions.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England.

This font is now available as Chamfer Engraved JNL in regular and oblique versions.

a ready to use font with a set of well crafted ornaments inspired by the monumental work of George Bickham at Universal Penman (1733). Soon, more fonts in this collection will be delivered. A partnership font between Intellecta Design and Monocracy Types (Paulo W).