Zavier Woodward

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”.
In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

Attention! TT Globs does not support Cyrillic, the font only supports Latin.

About TT Globs: TT Globs is the first font from the TypeType Starter Kit line, which is aimed at providing designers with fashionable typefaces featuring the basic set of font instruments of the same quality and development level as in the main TypeType line.

The main differentiating feature of the line is the basic number of styles (only the most popular weights), absence of Cyrillic support, and a very thought-through character font composition without extra features and other superfluous elements. Thanks to such an approach, fonts from the TypeType Starter Kit line are democratically priced and are affordable for many designers.

We were inspired to develop TT Globs by the idea to unite historical slabs with contemporary perceptions about fonts, their uses, and display shapes of letters. Working on the typeface, we even wanted to make curves more mechanical and rather modular, which would be very much in contrast with the cozy lines from historical specimens.

The main visual features of TT Globs are the long display serifs, which create a unified text image and connect all the letters, especially uppercase, into an almost uninterrupted dynamic chain. Thanks to the long serifs and rather narrow spacing, the result of working with the text will always be a little different, and depending on the words you choose, you can even create particular images.

In addition, TT Globs stands out by its very wide letter proportions, tall lowercase characters, and long ascenders and descenders. To mix up the rigid font rhythm, we created asymmetric wave-like terminals and flowing elements in some letters. Specifically, the flowing shapes of the letters GSQRasgec can be mentioned in this regard—they attract attention and can even serve as an important element in a logotype.

The TT Globs font family consists of 3 weights (ExtraLight, Light, Regular) and one variable font. Each style has 625 glyphs and 26 OpenType features. An interesting feature of thetypeface is the stylistic alternates, for instance, Q and R with straight legs which make the font feel more serious. In addition, the font also has a set of alternative letters with sticking serifs, a set of beautiful ligatures, and several original icons and frames.

TT Globs OpenType features: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, pnum, tnum, case, dlig, liga, calt, ss01 (Alt. Latin Q, R), ss02 (Alt. Latin a, g, y), ss03 (Alt. German Eszett), ss04 (Alt. Latin K, M, W, X, k, m, w, x), ss05 (White Circled Numbers), ss06 (Black Circled Numbers), ss07 (Romanian Comma Accent), ss08 (Dutch IJ), ss09 (Catalan Ldot), ss10 (Turkish i).

TT Globs language support: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu.

Accia Forte is a strong serif typeface with high contrast, large x-height and prominent serifs. Its loud contemporary feel will be ideal for titles as well as posters and web appearance.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Forte is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Accia Piano is a quiet, friendly serif typeface. Its relatively short serifs, low contrast and large x-height will make a perfect appearance in newspapers as well as branding projects.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Piano is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Golca is a humanist, slightly elongated sans-serif font family with open aperture. It features rich language support and includes Cyrillic and Greek scripts for your international projects.

It is perfect for branding purposes, as well as UI/UX applications and web appearance. Friendly and highly legible, it is also suitable as a body copy typeface for various printed media.

Inquisitive is a thin and dainty handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a personal and realistic feel to your designs.

Lachrymose is a word that stems from ‘lacrima’, the Latin word for tear. It means ‘tearful’, or ‘given to weeping’. Now, before y’all think I am depressed or so - I am not. I just like the sound of this word and the way it is written. All I needed to do was to build a font for it!

Lachrymose is a handmade brush font. I used my fantastic Chinese ink and a cheap brush to create the glyphs. Lachrymose is a display font, so use it for anything display-ish.

The bold serif hand lettering found in the title and credits of the 1961 film “Judgement at Nuremberg” inspired Legal Brief JNL, which is available in both regular and oblique versions.

Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”).

The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement.

A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs.

Mantequilla JNL is available in both regular and oblique versions.

For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter.

Lachrymose is a word that stems from ‘lacrima’, the Latin word for tear. It means ‘tearful’, or ‘given to weeping’. Now, before y’all think I am depressed or so - I am not. I just like the sound of this word and the way it is written. All I needed to do was to build a font for it!

Lachrymose is a handmade brush font. I used my fantastic Chinese ink and a cheap brush to create the glyphs. Lachrymose is a display font, so use it for anything display-ish.

The bold serif hand lettering found in the title and credits of the 1961 film “Judgement at Nuremberg” inspired Legal Brief JNL, which is available in both regular and oblique versions.