Zavier Woodward

Back Lot Stencil JNL is a hand lettered slab serif stencil design based on the titles and credits from the 1954 film “Human Desire” and is available in both regular and oblique versions.

Sometimes type designs are set aside as one project takes priority over another and occasionally it becomes overlooked.  One such example is a set of extra bold, sans serif stencil characters drawn out in 2017.

Regrettably, as much time has passed, no backstory can be applied to this typeface.  It was checked against existing releases in the Jeff Levine Fonts library and didn’t seem to have been re-worked for any subsequent release.

With this in mind, Baggage Claim JNL makes its belated appearance and is available in both regular and oblique versions.

A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design. 

This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.

One of the text fonts showcased within the pages of the John Ryan Foundry (Baltimore, MD) specimen book from 1894 is a squared type face with rounded corners called “Geometric”.

The original design has been updated slightly by substituting straight lines for the inner corner curves to add a small contemporary touch to a classic alphabet from the 19th century.

Business Letter JNL is available in both regular and oblique versions.

An image of the wide, Art Deco influenced lettering of a sign over a coffee bar inside a Jacksonville, Florida Lovett’s Supermarket (a predecessor to Winn-Dixie) inspired the namesake font Coffee Bar JNL – available in both regular and oblique versions.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design. 

With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them.

The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

The hand-lettered title on the poster for the 1933 musical comedy film “Melody Cruise” was rendered in an Art Deco thick-and-thin style with ‘engraving lines’ placed within the letters.

This is now available as Cruise Director JNL in both regular and oblique versions.

The hand lettered, condensed stencil title on a movie poster for the 1950 film “Customs Agent” inspired both the digital typeface and the font’s name. 

Customs Agent JNL is available in both regular and oblique versions.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering.

This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

A record album entitled “Calypso” by the Talbot Brothers had a hand lettered cover with a free form style reminiscent of the early 1960s.

This inspired Dance Records JNL, which is available in both regular and oblique versions.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

This unusual Art Deco design is now available as Dance Time JNL in both regular and oblique versions.